Wrestling with Work #19 (AEW Dynamite, BJW, Bound For Glory 2015, King of the Deathmatches 1995)

Still tweaking some formatting changes, as we enter a big full work day with a lot of wrestling to accompany it.

RATINGS

Penta El Zero Miedo vs Jay White (AEW Dynamite 10/18/23)

Rating: ***

Women’s World Championship Eliminator: Hikaru Shida vs Emi Sakura (AEW Dynamite 10/18/23)

Rating: **3/4

Kenny Omega vs Kyle Fletcher (AEW Dynamite 10/18/23)

Rating: ***

Astronauts vs Crazy Lovers (BJW Saikyou Tag League Final 2022)

Rating: ***1/2

TNA World Tag Team Championship: The Wolves (c) vs Brian Myers & Trevor Lee (TNA Bound For Glory 2015)

Rating: ***1/4

King of the Mountain Championship: Bobby Roode (c) vs Lashley (TNA Bound For Glory 2015)

Rating: ***

King Of The Death Matches 1995 Final No Ropes Barbed Wire Exploding Barbed Wire Boards & Exploding Ring Time Bomb Death Match: Terry Funk vs Cactus Jack (IWA King of the Deathmatch (IWA Japan Kawasaki Dream)

Rating: ***

Reviews

Ultimate X Match for the X Division Championship: Tigre Uno (c) vs Andrew Everett vs DJ Z vs Manik (TNA Bound For Glory 2015)

Not much to say about this, but I did want to note that it’s a real shame that this era of TNA has been memory-holed so hard because Andrew Everett takes one of the most “that had to suck” bumps off the top of the cables I’ve ever seen at the very end. It’s fucked up.

Rating: ***

Women’s Knockout Championship: Gail Kim (c) vs Awesome Kong (TNA Bound For Glory 2015)

Speaking of memory-hole, if you asked me if Gail Kim and Awesome Kong had a match outside of their vaunted mid-2000s feud, I’d say, “I dunno, probably not.” Hell, watching this cold, I thought this might have been a retirement match for Kong, but no, she was active in 2015. I’ll grant you that my memory is poor, but so much of 2010s TNA (post-Hogan) slipped through my mind like a sieve. I never allowed it to keep any traction, because it was TNA and I “didn’t have to.” I probably saved myself a few headaches, but I also think I missed out on some good wrestling, and on seeing future mainstays of wrestling before they caught fire.

At any rate, this is certainly not to the level of their stuff from a decade prior, but Gail and Kong have great chemistry together and are still able to make something happen here. It’s the classic big/little dynamic, with a bit of

Rating: ***1/4

No Disqualification Career Threatening Match: Kurt Angle vs Eric Young (TNA Bound For Glory 2015)

I think most people would say that Kurt Angle’s final run in WWE a few years ago left a bit to be desired, especially considering how limited he had become in the ring, but hey, at least it wasn’t this.

The idea here is that Eric Young is a ruthless psycho who will go out of his way to reaggravate Kurt’s neck injuries, while Kurt fights for his career, in the metaphorical sense and in the sense that it’s part of the match stipulation. Now, Kurt was definitely washed at this point, and considering that he would leave TNA not long after this, it was reasonable to assume that he was basically done. You can see it in his physique, his movement, his age, he just don’t got it no more. It’s fine, it happens.

What I really don’t like is the whole show of it all here. Yes, Kurt is a broken down piece of meat and Eric Young is a real meanie, but Jesus, more than half this match is the histrionics and hand-wringing around Kurt reaggravating his neck after an EY piledriver. This is especially meaningless watching in 2023, but even in its context, this match is a boring, overwrought layup for Kurt, with EY playing the broadest BADDIE possible. Waste of my fuckin’ time.

Rating: *1/2

TNA World Heavyweight Championship: Ethan Carter III (c) vs Drew Galloway vs Matt Hardy (TNA Bound For Glory 2015)

MJF is 2020s EC3, and I’m still not really over that. Now, between the two of them, MJF is the better worker in almost every respect, and history has proven him right, but it’s wild to go back to the heyday of the EC3 character and just see the same beats again in a different guy so soon afterward.

The remixing of past popular wrestlers is a big talking point among fans today, especially with the advent of guys like LA Knight and Ricky Starks (I apologize for putting them in the same sentence), with accusations levied at anyone who remotely resembles the top stars of the past. That’s one thing, but to me, what really sticks in my mind about comparing MJF and EC3 is both how blatant the copy seems, but also, and much like with the above examples, how it ultimately doesn’t matter.

The first time I ever heard of MJF, well before AEW even existed, I just wrote him off as an EC3 knockoff, right down to the name. Watching EC3 in this match, so much of the performance of the character hits the same notes as MJF: Cocky, young, rich heel that is somehow beloved by the crowd; expressive and stooge-like heel character in the ring; they even kind of look similar. As much as guys like Drew Galloway were able to use TNA/Impact as a testing ground for themselves en route to greater success elsewhere, EC3 feels like someone trying the MJF gimmick altogether out before grafting it onto a different, better guy.

And as I’ve said, although it bugs me that I don’t see people talk about this very much (there’s that memory hole again), it really doesn’t matter. Not only has MJF taken this character far beyond where EC3 was ever able to, but in the past several years, EC3 has torpedoed any momentum his career ever had with baffling choices and wrongheaded associations, showing him to be another bust-in-the-making. I don’t really have a grand point to this, I just wanted somewhere to write about these two and their interpretations of the same character, a phenomenon that will always recur in wrestling.

Bad match.

Rating: **

See ya!

CC’s Burnt Disc Wrestling Vol. 1

You know me, I love a project.

After the PWG series (which you can read all of in the posts below), I find myself without a direction to my wrestling watching in my free time; thankfully, that didn’t last, as I dug up a collection that brought back a memory or two.

In the early 2010’s, I made a wrestling friend through the person I was dating at the time. This guy was as hardcore of a fan as I was; hell, more so, since he not only owned a lot more memorabilia than I did, but he also trained to be a wrestler! I thought he was super cool and, in hindsight, I wish we had hung out more.

One day, he decided to get rid of some of his wrestling stuff and I, being a dude in his early 20’s living at home, volunteered to take some of it off his hands. I wound up with a huge box filled with old toys, VHS tapes, and a roll of burnt DVDs. He and I have long since lost touch and the toys and tapes are largely gone, but I always held onto the discs, for some reason. I think I always figured I’d get around to them.

Well, it only took about 12 years and you know me, I do love a project.

Instead of doing Project: Wrestling Guerrilla-style write-ups about these ones, though, I decided to dive into a medium I always enjoy: Twitter threads! I do love reading tweets from wrestling accounts doing watches of old shows and seeing something I’ve never seen before from years ago. Whether it’s a match I can’t believe ever happened, a wild spot from a forgotten name, or just something genuinely timeless, I have a good time with those and I wanted in.

Below are links to the Twitter threads I created for these shows, so that you can read my potted thoughts from back-to-front on each disc. It was a lot of fun to spend an afternoon dropping into an old show and creating screenshots and GIFs of my favorite moments. I hope you enjoy the reads and, hopefully, this won’t be the last one of these collections I make for this blog.

CZW vs ROH (Disc 1)
Super J Cup 1994
Dragon Gate Rainbow Gate 2009 Night 3
NJPW Dominion 6.4 in Osaka-Jo Hall (2009)
NJPW G1 Climax 2009 ~ New Lords, New Laws ~ Nights 4-8 (2009)
NJPW Wrestle Kingdom IV (2010)

Finally, I’d like to culminate this with a little playlist of my most favorite matches from the above threads. Links to the matches where available:

  1. Samoa Joe vs Necro Butcher (IWA Mid-South Something To Prove)
  2. Jushin Thunder Liger vs Hayabusa (Super J Cup 1994)
  3. Jushin Thunder Liger vs The Great Sasuke (Super J Cup 1994)
  4. Go Shiozaki vs Kazuchika Okada (NJPW Dominion 6.4 in Osaka-Jo Hall)
  5. Takashi Sugiura vs Hirooki Goto (NJPW Dominion 6.4 in Osaka-Jo Hall)
  6. Togi Makabe vs TAJIRI (NJPW G1 Climax 2009 ~ New Lords, New Laws ~ Night 5)
  7. Hiroshi Tanahashi vs Masato Tanaka (NJPW G1 Climax 2009 ~ New Lords, New Laws ~ Night
  8. Shinsuke Nakamura vs Togi Makabe (NJPW G1 Climax 2009 ~ New Lords, New Laws ~ Night 8)
  9. Shinsuke Nakamura vs Yoshihiro Takayama (NJPW Wrestle Kingdom IV)

Project: Wrestling Guerilla – Battle of Los Angeles 2014 Night 2

SHOW TRAILER

Owning this DVD in particular is harder to explain than some of the other choices in this series. I can’t exactly remember what I must have been thinking when I got this, but I imagine that it had to do with filling out an order to take advantage of a DVD sale, and thinking this one looked pretty good on paper. I bet my thinking was that I picked the most interesting-looking night of the three, and figured that if I liked this one, I’d buy the other two. Not only did I not do that (oh darn, I missed AJ Styles vs Brian Myers), but I’ve never even watched this one before. Apologies for essentially dropping in while in the middle of a story, we’ll just do what we can and have our fun where possible.

Fun fact: This took place the day after my 24th birthday.

Candice LeRae vs Rich Swann

The second night of first-round matches starts as Candice aims to follow up one of the biggest wins of her career by continuing the momentum into a BOLA win. Candice is one-half of the PWG World Tag Team Champions here, as she beat the Young Bucks a month ago in what is considered one of the signature matches of her career. Really, this might be her year in wrestling; it’d be nice if she has an even better one than this someday, but realistically speaking, it feels like 2014 is the height of her powers to date.

Swann is a good opponent for Candice, as they both wrestle a similar high-flying style and are able to start things off quickly. What I really appreciated in this match over her previous match in this series against Adam Cole is that there is less of a focus on the genders in play; yes, Swann is bigger than LeRae, but it feels less like he’s using his man-strength to make her crumble than he is using a gender-neutral size advantage as he would in any other similar situation. This leads to a couple of cool submission holds, including a brief standing Boston crab. Swann’s offense and selling are great here, as he really sells Candice’s comebacks as only he can. Ultimately, Candice reverses the always-impressive standing 450 splash from Swann into a small package for the win, which gets a huge pop. It’s too bad that Candice would not be part of that year’s finals, but her time at least started off on a good note. ***

Johnny Gargano vs Chuck Taylor

Oh no, F.I.S.T. implodes! Nah, not really; in fact, this is one of the more light-hearted matches of the night. It makes sense, as Taylor and Gargano have teamed together on the indies for years at this point, and they adopt something like a brotherly chemistry in facing off against one another. They work in some light goofing-off into the early chain wrestling that is very endearing, exhibiting a chemistry that belies their time spent together. There’s a couple of nasty spots as the match moves outside, wherein Chuck sets up a pile of chairs only to be thrown into it (after joining commentary for a moment) followed up by him tossing Johnny somewhere near the ring apron with a suplex, the latter of which gets a shocked reaction from the crowd. Johnny’s okay, and gets the win not long after by submission. I can’t tell you how refreshing it was to have the only Gargano match on a show be this light and fun, especially after two nights of him wearing his old tricks thin. God bless Chuck Taylor. ***

Ricochet vs Chris Sabin

As much as 2014 is a banner year for Candice LeRae, it is a notable one as well for Ricochet, who comes into this match with two different indie championships (Open The Freedom Gate for Dragon Gate USA and House of Glory), as well as the distinction of having won that year’s Best of the Super Juniors in New Japan Pro Wrestling. Spoilers: He wins BOLA, too. It feels like a sea change in underway in how he is perceived in the wrestling world, something even exemplified on commentary as Excalibur mentions how Ricochet has added muscle to his frame, allowing for a few power spots to be added to his arsenal. The l’il guy is growing up.

The first step en route to his victory is against the returning Chris Sabin, last seen in PWG in 2010, and only recently having left his long-time home of TNA. It’s a cool match on paper, especially as I’m a fan of both guys, but the result is more on the decent side of things. It feels like Sabin is still in the habits of wrestling for TV, so his match here feels like an especially good Impact match more than anything. It doesn’t get beyond that distinction and doesn’t really feel like it’s trying to; nothing wrong with that, but there’s just not a lot to say about the matter of it. Sabin does hit a cool move sequence where he backflips off the second rope into a reverse powerbomb into a piledriver, followed up by a tiger suplex, so credit where it’s due. Ricochet wins with the 630 and starts his road to victory in a fine match. ***

reDRagon (Kyle O’Reilly & Bobby Fish) vs Biff Busick & Drew Gulak

Two first-round losers continue their PWG debut weekend against the ROH Tag Team Champions, and the PWG World Champion in O’Reilly. Busick and Gulak come into PWG as journeyman wrestlers, but especially as CZW regulars (Busick is the current CZW champ, having won it from Gulak), which they play up as the outsider heels. reDRagon aren’t exactly babyfaces but they are more regular to PWG, so they’re de facto babyfaces; despite this, I don’t really know how to feel about either team. I’m certainly familiar with Fish and O’Reilly as a team, just not at this particular time in their career, and I’m admittedly not as familiar with either Busick or Gulak’s independent runs as I should be (save for Gulak’s CHIKARA tenure). I’m certainly open to learning more, but it feels like a mid-card nothing tag match is not the setting to familiarize myself with them.

The match is decent but not all that enthralling, leading to the only “Boring” chant I’ve heard in Reseda so far; granted, it’s only a couple of people who start it and it’s quickly shouted down, but it was very weird, and belied a lack of energy in the crowd for the most part. I will say that Kyle’s faults that I’ve been noticing in this series so far are a bit less obvious in tag matches, where he is not the center of attention. reDRagon wins at some point. I do hope I get to see Busick and Gulak in singles matches on this series, as I’m keen to learn more about them. **3/4

Chris Hero vs Matt Sydal

Another return to indie wrestling and to PWG, as Sydal is back after an extended stay in WWE ended in 2013. In the previous article, I mentioned that Hero in early 2014 felt between two distinct eras of his indie career; here, he seems much closer to the big bully role he will fit into, and it takes this match to the next level.

The story here is that Sydal, for as much as he tries, cannot get momentum going against Hero; at every turn, Hero shuts down Sydal’s offense easily thanks to his size difference (in a great call, Excalibur compares Sydal’s disadvantage to the same that Candice LeRae faces on the regular). Hero’s offense looks awesome in this match, especially when he’s cutting off Sydal. Whether it’s him catching a standing moonsault into a cravate cutter, or even just booting a flying Sydal in the gut, he looks like an intelligent and serious competitor here. What’s more, Hero’s selling (which I’ve loved in the past) is on point whenever he has to show ass for Sydal; there’s a great moment early on where Sydal is hitting him with leg kicks, and you can see Hero angrily mutter “Fuck” as he feels the sting.

Generally, both guys do a terrific job of getting the story of the match over by augmenting their styles of offense to mirror their physical mismatch. While Hero can physically overpower Sydal any time he wants and is seen as a towering menace in comparison, Sydal puts everything he has into any run of moves he gets, which makes him eating shit hurt more because he’s just trying so damn hard. I bit hard on the story and figured Hero would just steamroll Sydal but Sydal turns it around by reversing a Hero counter into a piledriver and hitting the shooting star press for the upset win. I loved this match and recommend it if you haven’t seen it, great stuff! ***3/4

Adam Cole vs Zack Sabre Jr.

After all of the shows with Cole on top, I must admit that I get some satisfaction in seeing him put low on this weekend. I suppose you could argue that means his heel chicanery has been working, and I’m willing to admit that maybe I got worked; that said, I’m still not a big fan of watching him in-ring and this didn’t change my mind.

ZSJ is another debuting wrestler this weekend, and it’s coming at a time where his stock is rising in wrestling, especially in the UK. Word of his technical prowess got him a spot in PWG, which will end up in one of his most successful American runs of his career to date. Zack has already beaten Cole in a 6-man the night before this, and is already accepted by the PWG faithful. Although he’s quite young here, he feels very confident in his overall presentation, which is only enhanced by how he dominates Cole on the mat. Again, very satisfying for me to see the always-cocky Cole be frustrated at every turn.

The two are almost the inverse of one another, as Zack is practically all wrestling prowess (save for a few half-heard quips) and Cole is all character work, leading to this match not being a classic in either sense. Cole’s offense is pretty basic heel stuff (he even does a chin lock) and he’s able to shut down Zack’s attempts to get momentum going. It’s too bad they have to follow Hero/Sydal, which did this exact story way better. Eventually, Zack hits his stride and surprises Cole with the European Clutch for the win, denying Cole the chance to become the first 2-time BOLA winner. As a showcase for ZSJ, this did its job and was pulled off fairly well, but it didn’t do much for me (save for some absolute winners from Chuck Taylor on commentary). **3/4

ACH vs Kenny Omega

Only months away from becoming a contracted talent with NJPW, Kenny Omega returns to PWG once again for BOLA against the rising star ACH. Both men have crisp, snappy in-ring styles and seem on paper to be a good match for one another, but then, this isn’t the Kenny Omega we see today. This is a much different animal.

Prior to his burgeoning as a main event star in NJPW and elsewhere, Omega hit a stride in Japan and America through a comedic otaku gimmick which, at the time, felt very fun and was easy to get swept up in if you were inclined to silly comedy routines in wrestling. I certainly was around this time, but it feels much different watching Omega here and comparing him to who he has become nearly a decade later. A lingering criticism of Omega is his penchant toward goofy, theatrical offense and presentation, which you can see here as he flares his nostrils, bugs out his eyes, and makes wide, pantomime gestures to make sure everyone can see him. These are instincts that he still shows a bit of today, but not nearly to the degree that he does circa 2014, and it really made me realize how much better he will become when he drops this whole thing.

Rather than a straight-up first round match, Omega and ACH have the longest match of the night, and it is chock-a-block with shtick and goofing around. Whereas the earlier Taylor/Gargano match weaved in humor more naturally and kept it mostly contained to the beginning, this is the neon-lit COMEDY match where everything is played huge, and plentiful room is made for the bits. These include Kenny breaking out the chainsaw arms (which gets a near-fall?), followed by an extended bit where he steals a fan’s replica Stone Cold vest, allowing ACH to do an extended sequence of Austin’s moves and mannerisms. It goes on for minutes, the crowd goes wild, and I try not to fall asleep. Obviously, this worked at the time and was very novel and fun, but it feels like a lot of time-wasting from two guys that I don’t find especially funny. They do get around to a few moves eventually, and Omega hits Croyt’s Wrath to move on. I can imagine someone other than me really enjoying this, but I was just not in the mood, especially this far into the show and certainly not for 25 goddamn minutes. **1/2

The Addiction (Christopher Daniels & Frankie Kazarian) vs The Young Bucks

(they’re keyed by their individual names but they’ll be The Addiction before year’s end here so fuck it)

Daniels & Kazarian are PWG old-timers that began teaming in TNA in 2011, and are ramping up toward their extended tag team run across wrestling that will take them to ROH, NJPW, and eventually to AEW. This whole thing is a perfectly acceptable tag team encounter; similar to the Sabin match, it would be right at home on an episode of Impact. As usual, the Bucks face off with guys who, while well-liked enough, are not forceful enough personalities to bring it in the charisma department and get the crowd really up on their feet (especially after the marathon comedy stylings the match before). Daniels especially looks on top form here with some crisp offense, including some great dives.

There’s not a whole lot to say about the match otherwise, except that this is the match where the Bucks debut the move that will become known as the Meltzer Driver (their spike piledriver, the Indytaker, but with Nick springboarding into a 450 landing). Apparently, Kazarian was willing to test it out with them this night, and it gets a huge response from the crowd and on commentary. It’s neat to see a small bit of history in the making. ***

Shelf Status

This show started off on a good note with some solid openers, and I was looking forward to a good card. The show pretty much evens out to be that by the end, and even though I was critical of a couple of the matches here and there, it’s pretty good overall. The Chris Hero/Matt Sydal match is a highlight of both the show and the series so far, and Chuck Taylor continues to be a delight in any capacity he’s used in. I’m disappointed in how Kenny Omega struck me here, and a couple of the matches in the middle really didn’t do a whole lot for me. It’s a decent show but, other than Hero/Sydal, I don’t think I’ll return to it, nor am I enthused by the cards of the nights surrounding it to fill in the blanks, so although it’s hardly offensive, I do feel that this one is Not Worthy.

(This is not a sponsored article. PWG physical media is available on their website. You can also stream it digitally on High Spots Network.)

We’ll cover one last 2014 show next time, which will include big-time BOLA fallout…

2022 Year-End Awards

One of my favorite things to do as a wrestling fan is keep track of data. Now, I’m no statistician, numbers aren’t really my thing, but ever since I started watching wrestling as a young teenager, I’ve been at least mildly obsessed with copying down notes about wrestling. One of my earliest forms of this was going to my most-trusted website, Gerweck.net, and literally copying down all the wrestler profiles by longhand. Now, this compulsion has evolved into having different ongoing Word and Excel documents on my computer at all times, usually relating to either the history of a predictions game I play with my friends, the results of an annual fake G1 Climax tournament set in WWE that I write for fun, or of course, my year-end awards roundup.

My MOTY WordPad documents go back to 2012 and are always a fun way to go back and see where my head was at in a particular year of wrestling; however, a problem I’ve run into in many years is simply keeping track of all the worthwhile matches in the span of a year. In fact, since wrestling has opened up in the last few years with the advent of AEW and many notable global brands rising to cultural prominence, along with the continued existence of many splintered North American independent brands, it can be really difficult to play catch-up at the end of a year and summon to mind every great match, especially if you’re as forgetful as I am.

So I decided to give myself a hand in 2022, and I started my first wrestling spreadsheet.

It was an Excel document where I would copy down every show and match that I watched in the year, as well as noting my personal star rating (on the Meltzer scale) for each one, and finally, the amount of matches watched on an event, monthly, and annual basis. It would hopefully help me keep better track of my favorite matches, while also giving me a good look at my viewing habits as a man in his 30s.

In 2022, I watched 2,110 wrestling matches. Here are my distinctions.

MVPs (Most Valuable Players) of 2022

“Speedball” Mike Bailey
Wrestling found a new level of openness in the past year, with borders between companies becoming more blurry than ever, and usually for the good, if not at least the entertaining. It was not uncommon to see even hugely popular TV wrestlers show up in more underground promotions and, thankfully, it sometimes meant seeing a lot of a wrestler I never get tired of. Mike Bailey stepped up a huge notch this year in my estimation, going from a semi-forgotten “what if” of the 2010s American indies thanks to visa troubles, to taking a prominent spot as a go-to workhorse in both Impact Wrestling and independent wrestling at large. Bailey had a tremendous reign as X Division Champion for most of the year, buoyed with fun appearances across multiple independent labels and putting on great matches everywhere he went. Although his persona still leaves a bit to be desired, his in-ring game was unbelievably consistent in 2022, and it was a treat to watch him every time.

Jon Moxley
In another year, 2022 Jon Moxley would be my Wrestler of the Year, and he very nearly was. Mox not only delivered in-ring consistently all year, but he also knocked so many promos out of the park that the park is now named after him. He also stepped up during a capital-F fraught backstage time in AEW, infamously putting his vacation on hold (seemingly indefinitely) to shoulder the company in its time of need. All great stuff, but unfortunately, the reason he missed my WOTY spot is because after all of the great work he’s done, I was very ready for him to take a break. Moxley has been one of the shining stars of AEW since his debut and for good reason, but he is someone who has also benefited from time away from the spotlight so as to combat overuse. His return in January from a stint in rehab to address issues with alcohol and the in-ring promo he cut was simply captivating. His absence reminded you that no one does it quite like him, and it was the easiest thing in the world to welcome him back. On the other side of the year, Mox is now the winningest champion in company history, wins all of his televised matches, and his trademark growling promo style is beginning to feel a bit rote. It’s certainly no fault on him that he delayed his sabbatical, and the choice is even an admirable one on some level, but I fear that Mox is getting a bit too close to overexposure, so I couldn’t quite pick him for top honors.

Show of the Year

AEW Revolution
2022 was not the best year for All Elite Wrestling, as it began to show some of its fast-becoming-trademark issues around booking, show structure, and even talent handling. However, it’s hard to deny that their PPVs often delivered in a big way, with Revolution being my favorite. At least four incredibly strong matches from either an in-ring or story standpoint (Kingston/Jericho, triple-threat tag, Punk/MJF, Moxley/Danielson) and two fun clusterfuck matches, with the rest of the card dotted with fun/solid performances. Plus, the debuts of Swerve Strickland and William Regal, plus the effortless flow from one tremendous MJF storyline to another really brought the heat and kept the excitement going. AEW had other contenders for the category this year, but I find that Revolution always makes the strongest impression to kick off the year for the company, and this was no different.

Promotion of the Year

Impact Wrestling
I can’t believe it, but the company that I used to wish would just die already finally became the company I wanted to live. While other organizations may have had higher highs this year, I personally didn’t see any other company deliver as consistently as Impact did. I actually watched several episodes of their weekly show in full(!) because I was interested in their stories and wanted to watch the matches because they are usually good-to-great. Impact benefited greatly from having some of the most consistent performers on its rosters either hold championships for large chunks of the year (Josh Alexander, Mike Bailey, Jordynne Grace) or in prominent roles near their respective championships (Deonna Purrazzo, Motor City Machine Guns, Black Taurus) so as to provide compelling matches. I’m not saying that every part of the roster is amazing nor is every storyline a winner, but I found I had the least problems with Impact this year, and I always made time for them on a weekly basis thanks to both a proven track record and an incredibly solid pro wrestling product.

Tag Team of the Year

FTR
I don’t have anything interesting to say about this, it is what it is and you know why.

Wrestler of the Year

Sami Zayn
This one was an 11th-hour change. For at least a month, I was convinced that my pick would be MJF, as he was involved in 2 of my absolute favorite feuds of the year (with CM Punk and with Wardlow), delivered at a high level in-ring at every opportunity, and lived up to the promise he’s been chained to since 2019 in AEW. However, much like FTR as Tag Team of the Year, picking MJF seemed a little too easy, and even felt somewhat wrong to me. As much as I have high praise for MJF in 2022, I can’t say he’s one of my guys, or that I even enjoy him all that much normally. I find his whole character of “self-aware heel” to be tiresome, his persona just a bit too calculated and try-hard for me to feel passionately about. Especially now, as the year ends with MJF on top, I find that his character has not really changed much with the weight of the belt on his shoulders; he’s just kind of the same but with a new accessory. Add to that a tweet he fired off bragging about only having 7 matches in the entire year, and I began to rethink his position. I’ve picked WOTY in the past and given it to people I was not passionate about but showed their worth beyond my taste, that’s not new. However, a close friend of mine offered his pick of the year and, as soon as he typed it in Discord, I thought, “…now hang on a minute, let me think about this.”

The ongoing storyline in WWE of Roman Reigns as the forever champion, Head of the Table, leader of The Bloodline, is one that was getting stale this year. After an interesting story involving a mini-breakout year with Jey Uso, Roman’s lack of either division within his unit and of meaningful challengers in the company meant that the act was into wheel-spinning mode. It was almost ignominiously that Sami Zayn began to insert himself into Roman’s good graces, just a naturally funny guy for the group to bounce off of that might go a couple weeks, even a month, off the energy of some fun back-and-forth promos. What these resulted in was, almost unbelievably, the best storyline in the company as the wiry French Canadian went from weird revolutionary(?) trying to worm his way into the ear of the champ, to the trusted consigliere at the heart of The Bloodline, the Honorary Uce. Sami’s ingratiation into the out-group grew funnier and more compelling the more that his contemporaries gave it air, and once WWE realized what it had, they actually managed to not fuck it up for once. I credit the lasting ability of Zayn as a personality for this, as this was truly another breakout year for a guy who’s had at least 2 or 3 during his time in WWE. Almost single-handedly, Sami saved the top draw in the company from completely bottoming out creatively, and revitalized The Bloodline into a run that has been one of the best for every member involved. Add to that Sami’s ability to still compete at a high level and deliver fast, entertaining matches with practically anyone, and that’s a guy I want to celebrate.

MATCH OF THE YEAR

This will take the form of a standard Top 10 list counting up, but first, here is the shortlist of matches that didn’t quite make the cut, but are still worth checking out.

Honorable Mentions

Kazuchika Okada vs Will Ospreay, NJPW Wrestle Kingdom 16 (Day 2)
– Your standard high-level Tokyo Dome main event
Katsuhiko Nakajima vs Go Shiozaki, NOAH The New Year
– Good, hard-hitting stuff
Will Ospreay vs Michael Oku, RevPro High Stakes
– Oku needs to be somewhere where more people can see him, he’s been underrated for too long
Eddie Kingston vs Chris Jericho, AEW Revolution
– A final cut from the MOTY list, one of Eddie’s biggest wins yet in AEW is still a really great match in what is, unfortunately, a banner year for Chris Jericho
Jungle Boy & Luchasaurus vs reDRagon vs The Young Bucks, AEW Revolution
– Spectacular, fast-paced tag match reminiscent of the Bucks’ tenure in NJPW
Trey Miguel vs Mike Bailey vs Ace Austin, Impact Wrestling Rebellion
– Three stand-out junior heavyweight wrestlers doing cool shit
Eddie Kingston vs Tomohiro Ishii, NJPW Capital Collision
– Thought this would make MOTY when I saw it, Eddie adds his own brand of sympathetic selling to a tremendous matchup for him in Ishii
FTR vs The Young Bucks, AEW Dynamite 4/6
– Two great tag teams doing their thing.
Jon Moxley vs Wheeler Yuta, AEW Rampage 4/8
– Wheeler gets inducted into the Blackpool Combat Club and finally lives up to his promise, super cool shit
Hiroshi Tanahashi vs Tomohiro Ishii, NJPW Wrestling Dontaku
– Terrific match from two all-time greats
Alex Shelley vs Chris Sabin, Impact Wrestling 7/21
– One of the best tag teams in the world turn back time and bring out the best in each other
Roman Reigns vs Brock Lesnar, Summerslam
– Grade-A WWE-brand horseshit, exactly one hoot and one holler
Bryan Danielson vs Daniel Garcia, AEW Dynamite 8/17
– Underrated feud in AEW in 2022, Danielson faces a shadow of himself from two decades ago
Eddie Kingston vs Tomohiro Ishii, AEW All Out: Zero Hour
– It’s the NJPW match but a bit faster and meaner, and in Eddie’s home turf
Hangman Page vs Bryan Danielson, AEW Dynamite 9/7
– Two of AEW’s best TV wrestlers pull one out yet again
FTR vs Aussie Open, NJPW Royal Quest Night 1, 10/1
– Thankfully not as annoying as it could have been, lives up to its promise
Josh Alexander vs Mike Bailey, Impact Wrestling 12/8
– A nearly 60-minute match wrestled as intelligently for TV as could be, almost miraculous that it’s as good as it is, and speaks to both men’s inherent worth to Impact

10

FTR vs The Briscoes, ROH Supercard of Honor (****1/4)
This being on here at all kind of tips the hand for a couple of other entries to come, but let’s all pretend I’m not a basic bitch and keep going. Obviously, these two teams are terrific at what they do, and their first match together lives up to the promise of two generational teams fighting for the first time. The Briscoes’ explosivity and gritty offense perfectly matches to FTR’s technicality and crispness, as does their inherent personality clash (at least on the surface, let’s not pretend that Mark and Jay aren’t territory wrestling nerds, too). If they had left it at this one, it’d be hard to be disappointed. The only reason it doesn’t rank higher for me is because…well, let’s keep going.

9

Ren Narita vs Tomohiro Ishii, NJPW Battle Autumn 10/26 (****1/4)
Whether on Twitter or to friends, I’ve made no bones about how the NJPW house style has begun to grow stale for me, if not actively sour. It was actually 10 years ago that I started following New Japan, my fandom peaking during its North American expansion. Over the years, though, the glacial pace it takes toward changing its habits, bad or otherwise, has caused its luster to fade. This is not completely its fault, it’s also my sensibilities as a viewer. As much as I do appreciate long-term storytelling and intricacy, I can admit that a lot of times, I need my wrestling product to be faster and a bit more direct. What absolutely still is my bag when it comes to NJPW is the inherent story of the Young Lions, the young guys of the NJPW Dojo system who are given a pair of black boots and black trunks, booted out into the ring, and basically physically brutalized until they Get Good. I don’t necessarily watch every match involving the Young Lions, but you come to know them in some way if you stick around long enough, either by name or by sight. As much as watching a NJPW show can feel like clocking in to a job sometimes, the Young Lions are the trainees who you enjoy watching as they slowly start to get it.

This year, Ren Narita got it, and the joy I felt almost blindsided me.

In another “Oh, New Japan” moment, they are creating ANOTHER belt, but this time, its premise intrigues me. The specific idea of the belt is to highlight its younger, unproven wrestlers (the tournament still including oldheads like Kanemaru somehow), doing so by limiting matches to 15 minutes. A consistent complaint of modern NJPW is its at-times crushing match length, a complaint that I echo as I am fully past matches need to be lengthy to feel important. Some of my favorite matches of any year are on the shorter side, as it can allow fat to be trimmed off of a match’s story so as to focus on a more concise and sharp story. Constraint, in any creative form, is often necessary to produce a more refined version of a good thing, and Ishii vs Narita in this tournament match for the NJPW World Television Championship is a very good thing. Narita is a Young Lion that I’ve come to know in the past 5 years and whom I’ve been waiting for to break out, which he managed to do with some tremendous performances throughout the year. Although he still dresses the part of a Young Lion, Narita is considered to be a graduate of the NJPW Dojo, and is beginning to carry himself much like his mentor (and one of my favorite wrestlers), Katsuyori Shibata. Ren hits hard and takes a lot of punishment, but his young face is able to communicate fighting-from-underneath in a way that even Shibata wasn’t always able to do. To see Narita struggle mightily against the immovable object Ishii is compelling in its own right, but I figured in watching it that Narita would fall to Ishii, who would probably end up winning the belt as a thank-you for his continued service. Instead, Narita nearly took Ishii to the time limit draw and, in a shock made even better due to the Japanese crowd being able to react, Ren Narita pinned Tomohiro Ishii clean. I jumped from my chair, I whooped it up, and I realized that maybe, sometimes, people like long-term storytelling because it totally fucking works. A match that was destined for my list based on pure emotion.

8

“Hangman” Adam Page vs Bryan Danielson, AEW Dynamite 1/5 (****1/2)
This is another entry that was practically a lock from the moment it happened, but I’m pleased that it totally holds up nearly a year later. I don’t have a lot to say about it, other than laying praise at the feet of two men whom I previously described as two of AEW’s best TV wrestlers. First off, count me in on the “Bryan Danielson is the GOAT” truthers; if the man’s worth as at least one of the greatest wrestlers to ever live isn’t obvious to you by now, I don’t think you’ve been watching closely enough, or anything I have to say likely won’t convince you. However, as with wrestling, you’re only as good as your dance partner, and I do so love that Hangman two-step. In a perfect world, Hangman would be my WOTY pick, or at least an MVP, because he still clearly has the goods to be at that level. Frustratingly, his world championship reign never got the legs to be the star-making run it could have been, and while Page stepped up his game in matches with the likes of Danielson, Lance Archer, and Adam Cole, circumstance and politics never seemed to be on his side. As champion, he never seemed around as much as he should be (a cardinal AEW booking sin, in my opinion), and even without the belt, he still felt underutilized as a dynamic, fun wrestler who can get a *** TV fight out of practically anyone. Bryan Danielson has carried some almighty lumps to passable matches, so it takes a performer of a certain level to really cross the threshold into MOTY territory, and Page is exactly the wrestler and personality to do that. Their matches together, especially this one, emphasize both Danielson’s natural lean toward being a prick and Page’s inherently likable self-effacing-yet-earnest sensibilities, and both of these character traits inform how they wrestle. It’s just good storytelling when Hanger digs down deep and knocks out the great-and-he-knows-it American Dragon. What more can I say, they killin’ it.

7

Sami Zayn vs Johnny Knoxville, Wrestlemania 38 Night 2 (****1/2)
The most pure fun match of the year, in a feat that I would only trust Sami Zayn to nail. A gimmick match to hype up the hilarious Jackass Forever is no surprise given the WWE’s leanings toward celebrity flirtation, and it initially felt like Sami Zayn was wasting his time tooling around with Johnny Knoxville for a dumb comedy match. Call this both a vestige of the aggrieved independent wrestling fan in me (“Sami Zayn should be world champion!” I screamed in 2013), and my lingering grump tendencies (“This is bullshit, wrestling shouldn’t be silly or fun,” I sulk every year of my life), both of which I still have a hard time letting go of. It’s okay to let go sometimes, it’s okay to enjoy something on a purely surface level, and it’s more than okay to stand and cheer half-drunk as Wee Man body slams Sami Zayn. Adding to his WOTY case, Sami Zayn not only recognizes his role in the grand scheme, but he plays it to perfection in a Looney Tunes-style straight man falling afoul of Bugs Johnny. Even the parts where the match fucks up totally work; it’s Jackass, stuff fucks up all the time, that’s part of the charm. I really hope everyone who sees this match enjoys it on some level.

6

FTR vs The Briscoes, ROH Final Battle (****1/2)
A theme for 2022 for me was re-discovering how much I love blood in wrestling. I started watching wrestling in 2003 (yeah, I know), back when not only was blood encouraged in WWE, it was allowed. You’d see a guy like Christian do at least 2 blade jobs a month on RAW, and it was hard not to get numb to it, it was expected. A couple of years later, ECW re-entered the popular conversation, and I discovered a whole new level of violence that wrestling had had baked into it a decade earlier. I loved the violent stuff: Chair shots, ladder matches, table breaks, that time Edge hit [That Guy] with a brick to the head at Backlash 2005. Mick Foley was my favorite wrestler, Raven and Tommy Dreamer were my guys, and it just wasn’t a Ric Flair main event if he wasn’t gushing blood.

Then I turned 16, discovered Ring of Honor, converted to Catholicism, and thought blood in wrestling was stupid. Not in that order, but it all did happen.

I think I turned off the part of my brain that liked hardcore wrestling because I thought it was a childish way to enjoy the form. The real way to appreciate wrestling was through studying the technical aspects, knowing all the move names, paying attention to a limb for 40 minutes, and complaining every time a finish wasn’t clean. I’m not saying that any of these are the wrong way to watch wrestling (except maybe the last one) or that there even are wrong ways to watch it (there are, but they’re the unpleasant ways that no real human being thinks about), but I do think I over-corrected in the other direction to seem smarter. I’m very insecure about my intelligence, especially when it comes to my area of special interest, and I figured that people would think I was some kind of mouth-breather for enjoying the more savage elements of wrestling.

Then I turned some indeterminate age, and I remembered that blood in wrestling always makes a match better.

FTR/Briscoes III is a goddamn bloodbath and it rocks. It is the loudest, meanest, most straightforward version of the matches these guys can have, and it still works because these are two of the greatest teams of all time. I actually said to my friends that this was my least-favorite of the three when I watched the match for the first time; I think I thought the blood was overkill or something. I blame the 100+ degree fever I had for cooking my brain that night, because I don’t really think the blood is overkill. The men want to bleed? Let ’em! The only things keeping this from being up higher are the referee blood spot (sorry, I think it’s lame) and the fact that the match was sprung with only 3 days notice before the show. Otherwise, the horrifying violence kicks ass, the double-camera set-up to follow both sets of opponents is some of the legit best camera work of the year, and FTR seal the deal for Tag Team of the Year with another top-notch night.

5

Swerve In Our Glory vs The Acclaimed, AEW All Out (****1/2)
I fully expected this to drop off the shortlist upon re-watch, but I’m happy to be wrong. The match that made The Acclaimed, and just a goddamn awesome tag match in a year chock full of them. It would have been so easy for Bowens & Caster to be the next New Age Outlaws [derogatory] by having an over gimmick that didn’t translate to the ring but, at least in the hands of workers the caliber of Keith Lee and Swerve, you can see both of them level up in real time before a crowd that is absolutely dying to see them win the big one. I really have to give it up to Anthony Bowens especially; when I watched this live, my hands were covering my mouth at all times because I totally bit on his supposed injury. It turns out, Bowens is really, really good at what he does, and the match was formatted perfectly to play into his history of injury in ways that rarely felt hokey. SIOG were a bit of an odd pick for tag team champions in 2022, but they came together in a solid act that could be truly great if given the opportunity (much like the both of them individually). Points off for not strapping The Acclaimed here and losing out on an all-time reaction, but otherwise, every bit as good as the first time.

4

FTR vs The Briscoes, ROH Death Before Dishonor (****3/4)
Yes, I’m the dumbass who likes this one best, and unfortunately, I stand by that. When FTR/Briscoes I ended, I found myself wishing, “If only they had had more time.” What’s the opposite of a monkey’s paw curling? Anyway, I got that with their 2/3 Falls rematch. As much as I love seeing both teams drop the gloves and murder-fight each other in dog collars, seeing them go at it from a technical standpoint was just the best. FTR getting to do their classic maneuvers against a team with triple their experience as a team was just excellent wrestling from bell to bell to bell to bell, peppered with callbacks and even a Chekov’s table thrown in for good measure. I might have shaved a couple of minutes off, but I can hardly complain about the best pure tag team match of the year.

3

CM Punk vs MJF, AEW Dynamite 2/2 (****3/4)
CM Punk’s return to professional wrestling is an all-time moment for me as a fan. From practically the moment I saw him in 2004, Punk has been my guy, and my guy he remains today. It felt weird to name him as an MVP of the year, considering what an albatross he has become for the company he is still technically a part of, but for the length of his ill-fated run, he was in the Danielson/Page/Moxley/Takeshita air of AEW TV wrestlers who cannot help but deliver in-ring. Punk’s feud with MJF this year was absolutely sublime, a rivalry that told both sides incredibly well, and that ratcheted itself up time and again before leading to a satisfying ending. However, although that ending was good in its own right, its the first encounter between the two that I hold in much higher regard. As I mentioned earlier, MJF is an adept in-ring worker, and his chemistry with Punk managed to translate beyond the microphone into a match that felt both old and new-school at the same time. CM Punk can have great TV matches with the likes of Dustin Rhodes, Dax Harwood, or whoever, but when you add the stakes of a emotional feud and you act as though your characters are wrestling in the middle of that feud, it produces something that stands above the distinction of “good match.” Watching this match live was a roller coaster, watching Punk go from swaggering veteran at the start to MJF managing to connive his way into an advantage. Punk rallies back only for MJF to steal a win, but then, in a twist that many of us fans claim to be immune to, Punk successfully gets the match restarted and nearly clinches it, only for MJF to scare up one more trick and beat his hero, seemingly conclusively. It’s a wonderful piece of pro wrestling storytelling, given enough time to breathe and evolve over time, and is easily the best AEW match that either man has had so far. Just about flawless.

2

Anarchy In The Arena, AEW Double Or Nothing (****3/4)
Another match that I feared wouldn’t hold up to a re-watch, but as soon as I started it, it’s hard to misunderstand just how undeniable the whole thing is. How do you make a territory-style garbage brawl that goes over 20 minutes interesting? It’s all about presentation. The babyfaces arrive to the ring to the sounds of Jon Moxley’s “Wild Thing” theme song, perfect for an unhinged group of wild cards to cut loose to. The song keeps playing over the initial carnage, New Jack style, and even loops back to the beginning in one of the greatest moments of the year. The bad guys bleed, the good guys kick ass, the crowd goes nuts, and it’s all just the best. AEW had a great year for wild tag team brawls, especially those involving Sting, and this is the apex of those matches thanks to the intensity of the rivalry between the individuals, the sheer brutality of the spots on display, and the willingness to play this straight. This could have easily been another arena brawl in the style of the previous ones with The Elite and the Inner Circle, and that would have been great, but it was the hard-nosed nature of this one that made it really stand out. It’s the kind of match that you have to catch your breath on in the middle and just go, “Holy shit, this rules.” Eddie Kingston staggering to the ring, half-dead, with a gas can in his hand ready to Actually Kill a guy is just the icing on the cake. Fucking awesome.

1

Jun Kasai vs El Desperado, TakaTaichiDespeMania (*****)

“…you said you didn’t care if you lived or died in this ring. Don’t be a fool! Death should be welcomed by no man. There are countless who yearn to live but are doomed to an early death…You’re living your best life possible! So don’t tell me that you’d gladly risk it all, you fool! We pro wrestlers may not fear death or pain. We accept that every time we step into this ring. But we should be fighting so that we can walk out of the ring with our lives! There is no need to put your life on the line. There is no need to welcome death! Once you understand that, you’ll be even stronger.”

El Desperado was ready to die, until Death showed him how to live.

As much as I love blood and violence in wrestling, deathmatch wrestling isn’t really my thing. To be honest, I kinda don’t get it. I can understand adding weapons or graphic blood-letting to a match if the circumstances call for it, but the whole deathmatch culture from Japan and the US indies has never really hit any spot for me. A lot of times, the violence seems purposeless and sloppy, wrestlers chasing a high that seems really detrimental to their health (more so than professional wrestling as a whole). So when I saw one of my favorite wrestlers (El Desperado) fight deathmatch legend Jun Kasai for around 30 minutes using barbed wire, cut-up soda cans, chairs, knives(!), and heaps of blood, I felt like Frank Reynolds watching Mac’s dance: “Oh my god…I get it.”

Kasai and Desperado’s rivalry had been building to a head through the TakaTaichi shows put on by TAKA Michinoku’s promotion, JTO. These shows involve talent from JTO, NJPW, and other Japanese independents, usually revolving around the titular TAKA and Taichi. Across 2022 and the year before, these shows have been a low-key highlight on the calendar as it allows some talented guys from NJPW show their stuff in a different atmosphere, allowing for breakout performances from guys who are very much pigeonholed into one role in the largest Japanese company. In NJPW, Desperado is a junior heavyweight who is perennially around the top of the division but is rarely THE top. He might get a junior tag title reign or, rarely, a run with the singles belt, but he is usually placed under the likes of the more popular Hiromu Takahashi or others who fit the bill a bit better for NJPW’s schemes. Over at the TakaTaichi shows, Desperado began to put his sights on Jun Kasai, wanting to prove himself by matching against something of an idol of his in said idol’s natural deathmatch habitat. There’s even a somewhat romantic air to it, as Kasai presented Desperado with a rose as part of his challenge. These men don’t fight out of anger or hatred, they fight because…

This match is nuts. Desperado wears all white, so he was doomed to bleed buckets, something he does ably with his trademark mask draped around his throat. Kasai kicks the dog shit out of him, but Despe gets his own stuff in, and it all feels different, somehow. It’s so typical for a match like this to have both opponents professing hatred or growling at one another, but more often than not, Kasai has a smile on his face. The whole thing has this air of catharsis, as Desperado struggles to prove himself by putting his body in the most danger its ever been in. By the end, Desperado scores one of the biggest singles wins in his entire career in an environment that he is practically a stranger to. More than that, he stirred something in the Crazy Monkey, who cuts the promo you can read above. Both men are covered in blood and gasping for breath, but they also seem the most alive they’ve ever been in their lives. Kasai begs Desperado not to seek death, but to live to see his dreams come true. Desperado, humbled, can think of nothing else but to humbly accept this advice, before producing his own rose to challenge his idol-turned-rival-turned-soulmate to fight again.

Love blooms on the battlefield. Ichiban suge wa puroresu nandayo!

“I’ll tell you now, I will never again speak about life and death so flippantly. I won’t prepare for death. I’ll bear that in mind each time I step into the ring. I’ll keep fighting to live, every single time.

CC Review: Okada vs Shibata

Kazuchika Okada vs Katsuyori Shibata

NJPW Sakura Genesis

April 9, 2017

Amid an historic reign as the heavyweight champion of New Japan Pro Wrestling, the self-assured Kazuchika Okada was challenged to a title match by the winner of the New Japan Cup (and thus de facto #1 contender), Katsuyori Shibata. By 2017, Shibata was recognized as one of the grittiest and most dangerous competitors in the promotion, an inhumanly tough all-rounder with an aura of legitimacy to every aspect of his game and someone had never faced Okada one-on-one to that point.

The story of this match is one that can be gleaned simply through gesture and implication: Katsuyori Shibata is a better wrestler than Kazuchika Okada. If Okada wants to not only beat him, but prove that he deserves to be the champion, he must defeat Shibata straight-up with all his knowledge and experience to this point. Shibata counter-wrestles and out-strikes Okada with ease at practically every turn, truly schooling the younger man and looking like a demigod in the process. Shibata’s elbows sound like when you open-palm slap a large watermelon at the grocery store; they positively thunder in comparison to Okada’s strikes. There are a good few minutes where Okada’s face communicates in the universal language of expression, “I’m in trouble,” as Shibata beats the brakes off him.

Even after over 20 minutes of action, Shibata’s offense is still crisper, quicker, and stronger than Okada’s. Eventually, Okada fires up and hits his signature offensive moves, as the two exchanges big strikes and wrestling throws. Okada eventually manages to uncork his finishing blow, The Rainmaker, but Shibata grits his teeth and absolutely tanks it, something that virtually none of Okada’s opponents have had the sheer guts to be able to do up to this point. The match ends after Shibata lands his own version of the Rainmaker, ending in a vicious slap rather than a lariat, but as he moves toward the ropes, Okada yanks him back by the arm and hits a short-arm Rainmaker. Okada brings him up for another and, although it’s effectively a half-measure version of his finisher, this one makes Shibata crumple into Okada’s grasp. One final full-tilt Rainmaker seals the deal. Shibata tries to walk to the back but stumbles and limps forward before collapsing in the entranceway as the cameras move back to Okada in the ring.

Famously, Shibata suffered a subdural hematoma because of a very real headbutt he delivered to Okada near the end of the match. He had to undergo emergency surgery immediately following the match and was forced into retirement afterwards, a decision he made with great reluctance and that he is still pushing back against today. In the years since the match, Shibata has been on a crusade to seemingly prove he can still wrestle at some level, dipping his toe slowly back into a full-blown wrestling performance to the level he is satisfied with. In 2017, the fact that he was still alive weeks after the match was something of a miracle and it was understood his career was over forever; today, one can’t be so sure, as many wrestlers across the world once thought gone forever due to injury are returning to the ring with even greater success and acclaim than before.

This match existed for roughly 3 years as essentially Shibata’s final match. It was a hell of an impression to leave in people’s minds, that you not only hung in there with the heavyweight champion of your organization, but essentially all but proved you were better than him and, on any given Sunday, you could be the top guy. As awful as the injury and the circumstances around it were (and still are), it was a beautiful tragedy that professional wrestling is adept at producing, knowingly or not. Here was a man whose nickname was literally “The Wrestler,” a no-nonsense boots-and-tights grappler who lived for this shit, so much so that he nearly actually killed himself to prove he was the best in the world at it.

There’s an air of tragedy when you watch the match with this foreknowledge, which dovetails effectively with how precisely the in-ring narrative is delivered. If you think about Shibata in this, even though he seems to be relatively okay these days, it’s hard to not think about how this match is the summation of his life’s work. He began wrestling in 1999 and, nearly 20 years later, he ended his full-time wrestling career with this one match that many like me still think and talk about, and likely will for a long time. In following any kind of sport, pastime, activity, or field for long enough, you may get lucky enough to witness a person’s hard work pay off. That often doesn’t happen for reasons ranging from mundane to once-in-a-lifetime, but when you do see someone like Katsuyori Shibata perform at the highest level possible and effectively put the period on the final sentence of his career (at least at the time), it stays with you. You remember it and you believe that, maybe, it can happen for you and the people you love. Maybe we can all be the best at something.

This match, as surely can be said for others as well, made me into a fan of Shibata; unfortunately, all too late, like when I got into Type O Negative after Peter Steele died. There was nothing to look forward to anymore and only a legacy to sift through and unturn, taking my place in the sand as a Johnny come-lately amid those who were there, man. I’ve come to appreciate the aesthetic of the meat-and-potatoes wrestler who shows up, does what he likes, and then leaves. Those types of wrestlers don’t project a desire for acceptance or love, but they find joy in what they do best, and that exact joy is what makes them so charismatic. We’re lucky enough now that we don’t have to look back on this match so sadly, as it seems Shibata is destined to head back into the ring and fight another day (sooner than perhaps we realize).

Almost a shame, as you can’t really ask for a better final act than this.

*****

Siesta: On Lucha Underground, and the Off-Season in Wrestling

It seems like a lot of wrestling fans are really getting tired of wrestling these days. It’s almost hard not to, when you think about how many hours of content WWE pumps out consistently (nearly 10 hours a week!), and how the televised competition to the company is not exactly compelling, nor does it have the same level of production behind it. A lot of my friends often bemoan how boring, stale, or just plain stupid WWE can get week after week, and how there is no room to let stories breathe because of the breakneck pace of the show; I tend to agree. The argument for wrestling getting an off-season has really taken a leap forward in the past couple of years, and the worst part of the situation is, one promotion this year proved that the conversation about time off in wrestling is nowhere near over.

The El Rey Network’s wrestling show, Lucha Underground, was a success in so many ways this year, but one frequently cited is the storyline progression of the characters and feuds: Over the course of nearly 40 weeks, Lucha Underground managed to introduce varied and complex characters, before proceeding to put them in meaningful feuds, and pay them off in satisfying ways. These three steps are exactly what pro wrestling storytelling, and TV writing in general, should try and accomplish. It was in the run of one single season that we saw the development of characters like the inaugural LU champion Prince Puma, the intimidating villain Mil Muertes, and the spunky woman-in-a-man’s-world Sexy Star; these characters were not only interesting for their look and slug-line back stories, but grew as people and wrestling characters within a finite time to where we definitely felt something for them, good or bad. I went from originally growing tired of commentator Vampiro and his half-baked witticisms, to absolutely loving his interactions with gifted rudo luchadore Pentagon Jr; I may even call theirs my Feud of the Year by the end of the year. Unlike WWE, Lucha Underground will not be continuing indefinitely, as it has seen its first season finale already, with various storylines wrapping up to more-or-less logical conclusions, much like a season of The Walking Dead or any other popular episodic TV show. Thanks to the mega-event Ultima Lucha, and these interesting story conclusions, Lucha Underground finished as strongly as it began, something that mainstream wrestling can certainly learn from.

Mil Muertes & Prince Puma, a stellar feud in Lucha Underground’s first season; Muertes (left) boasted perhaps the best character of the lot.

Let me level with you for a second about what kind of fan I am: I’m the type of fan that needs things to have a definite end. Whether it’s mowing the lawn, or watching a season of a TV show, it really helps me to know that there is an end to something. Once something is over, it gives you a chance to miss it, so that you want it more, or it allows for something to be remembered well because of how complete of a package it became with its ending. I know a lot of people want things that they love to go on forever, but honestly, I don’t: I prefer when TV shows, video game series, and especially wrestling storylines, have a definite finale, so that we can achieve closure, and move forward with new ideas and characters. Unfortunately, the way WWE and professional wrestling is formed now, the “24/7/365” way of presenting a product is beginning to inspire burnout. Instead of having definite endings and periods of rest, storylines find themselves wheezing their way into new configurations of guys rather than actually end: Did Dean Ambrose and Roman Reigns ever gain a measure of vengeance on Seth Rollins? Not really. Is Ryback still feuding with Miz and/or Big Show? Hell if I know. So many feuds these days end up being dropped, or simply run out of steam due to viewer or writer fatigue; you can’t keep writing the same old s***, or watching it, without getting bored. Compare this to Lucha Underground, which saw a massive incline in viewer interest as the stories and angles went along, and now that it’s gone for the season, is seeing tremendous viewer interest in the form of social media campaigns and favorable word-of-mouth. Lucha Underground, thanks to the fact that it had an end that left its audience wanting more (instead of bored and resigned), is now more popular than ever, and will surely be hailed as a front-runner for 2015’s most popular wrestling product.

I’m not saying that indefinite programming cannot produce conclusive storytelling and compelling television; far from it, as we’ve seen as long as wrestling has been a televised product. WWE, and its competition, can still have very interesting and exciting storylines…but just imagine what would change if we actually had a time in the year when we actually MISSED watching WWE. Wrestling’s off-season is a multi-layered issue that includes the controversial topic of unions in the business, as well as pay and contracts, so it’s not one that can be solved in a fan-written column. What I want is for you to realize that wrestling does not have to be presented in simply “what we’re used to”, and that we as viewers are not beholden to what is mass-produced for us on the weekly. This year, Lucha Underground proved that unconventional wrestling production, presentation, and storytelling is not doomed to failure; if anything, it can find its audience and flourish within and without it. Wrestling is at its best when it is fostering change, not blocking it, and Lucha Underground’s first season was a strong proponent for just that change in 2015.

Want an example of what I mean? Check out Lucha Underground’s phenomenal series recap “37 Hours of Lucha Underground in 37 Minutes” to see how LU approached finite, complete storytelling in the way it did:

Puro-File: Jushin “Thunder” Liger

Welcome to the first edition of Puro-File! In these articles, I will do my best to give you an overlook of some of the hottest and most legendary figures in puroresu, (Japanese pro wrestling), and why you should give this burgeoning art form of wrestling a second look, if you haven’t already. These articles will contain a brief profile and commentary on a Japanese wrestler and their career, and will feature recommendations on matches of theirs to check out to better understand the intent of the column. These columns are best enjoyed with a subscription to New Japan World, NJPW’s new streaming service, though some of the recommended matches can be found through other means (wink). With that said…

You’ve seen him astound the NXT universe, and you may have looked him up on the WWE Network, but just who is Jushin “Thunder” Liger?

Jushin "Thunder" Liger

                   Jushin “Thunder” Liger

Jushin “Thunder” Liger, who made his WWE debut only weeks ago, has actually been around a lot longer than you may realize! Debuting in New Japan Pro Wrestling in the mid-80’s (after working overseas for the likes of Stu Hart), Liger (previously known by his real name, Keiichi Yamada) actually has anime to thank for his garish and recognizable gimmick. New Japan, in a deal with the creators of the Jushin Liger anime, agreed to base one of its wrestlers off of the character. Think along the lines of Tiger Mask, a legendary gimmick also based off an anime, or imagine if Sin Cara was based on a Saturday morning cartoon. Liger ran with the strange role he was given, and he is better for it; the Liger outfit is immediately recognizable, imitated and loved by fans everywhere, with its horned mask and red/white color (or its gold and white variations).

Liger is more than just a cool look, as he would spend the next 20+ years after his debut innovating and improving on the junior heavyweight style he began in. In that time, Liger has faced many world-famous opponents, a roster that includes Ultimo Dragon, Great Sasuke, and even the Great Muta; you may be familiar with him from his runs in North America as well, either with WCW and his series with “Flyin’” Brian’ Pillman, or his times in ROH dating even this year (2015) facing the likes of Bryan Danielson and Jay Lethal. Liger is a versatile opponent, and although he is literally 50 years old, his style is immediately recognizable for its combination of strikes, power moves, and a bit of high-flying. Liger is best known for his Shotei (palm strike), the Koppu kick (forward roll heel kick), and his trademark running “Liger Bomb” which is his most well-known finisher. Plus, did you know that Liger himself invented the Shooting Star Press? It’s true!

The thing to remember about Liger is that he was doing junior heavyweight/cruiserweight wrestling before it was cool: Today, independent feds across the world are filled with smaller, light-weight wrestlers adept at both flying and technical skill, but Jushin Liger (along with many others) was wrestling the father of these modern styles in the muscle-and-cocaine 80’s and well into the Crash TV era of the 90’s. Liger was a main fixture in the tape trading circles of the 1990s with events like the Super J Cup, which would go on to inspire generations of wrestlers who wanted to be as exciting and talented as wrestlers like Liger. Consider that we may have never had successful junior-style wrestlers like Chris Jericho, or flamboyant and eye-catching gimmicks like Rey Mysterio, without Jushin Liger to be known around the world for his exceptional technique and crazy-ass look. The fact that Liger wrestles today, and on the regular for NJPW, is something to be said, and is proof that his place in wrestling history continues to be cemented every time we hear this awesome theme song.

Would you like to know more? Check out these classic Liger matches (most available on New Japan World):

vs Kuniaki Kobayashi (1989): The debut match of Liger. Although not his technical best, you can see the prototype of the Liger look (before his more well-known “Thunder” attire) and the promise of what was to come. Plus, it’s in the Tokyo Dome, with a very hot atmosphere.

vs El Samurai (1992): Liger defends the IWGP Junior Heavyweight Championship against the less well-known, but every bit as important, El Samurai. Samurai was a main-stay junior talent for NJPW in the 1990s, and brings out the best in Liger. This match has phenomenal selling by Liger, plus a bit of his now-rarer high-flying, and is a great junior match for the title.

vs Hayabusa, vs Great Sasuke (Super J Cup 1994): Some of Liger’s most well-known matches initially came from the tape trading scene in North America (yes, people really swapped VHS tapes for fun, kids), and from tournaments like the Super J Cup that were circulated underground. This is Liger in his prime, facing some of the greatest junior heavyweight talents of all time, and for many it was their first exposure to the garish but talented “Beast God”. Dave Meltzer rated this tournament as the best major wrestling event of 1994.

vs Great Muta (1996): This Liger match is significant for introducing the concept of “Kishin Liger”, which is a new form that Liger would take on in extreme situations to become especially violent and blood-thirsty. Liger only used this character a handful of times, but its debut here is really damn cool, as he sheds his familiar attire to become this crazy demon-man. The mystique around its rare usage makes it all the more interesting, and it remains a cool moment in Liger’s storied career. (http://www.youtube.com/watch?v=TJIzfghH5AI)

vs Ultimo Dragon (1997): Liger battles world-class junior heavyweight talent Ultimo Dragon for the prestigious J-Crown, in NJPW’s annual January 4th Tokyo Dome event! If you’ve ever seen the picture of Dragon holding, like, 20 belts and looking like an absolute pimp, this is the title he was wearing; it was a means of unifying several junior titles from across Japan and Mexico into one uber-prestigious honor. Some of the best junior wrestlers held the Crown, and here, two of the best go at it on a grand stage.

vs PAC (2012): The old-school meets the new-school, as Liger takes on WWE’s Neville in the 2012 Best of the Super Junior! Similar to Liger’s impressive showing against up-and-comer Tyler Breeze at NXT Takeover: Brooklyn, this is a cool meeting of past and present, and shows that Liger is still valuable into his middle age, and can keep up with speedsters like PAC (who looks kinda like Breckin Meyer here). There may not have been a “Man That Gravity Forgot” without a “Beast God”.

 

Happy hunting, wrestling fans!

Welcome to Creative Control!

My name is Luke and I am one of the creators of Creative Control Professional Wrestling. Thanks for stopping by.

Over the coming days, we will be unveiling some fresh articles focused on the upcoming SummerSlam weekend, including NXT Takeover: Brooklyn. It’s looking like it will be a fascinating three days celebrating many different aspects of professional wrestling.

The Undertaker begins his last ride into the sunset as he seeks redemption against top star Brock Lesnar. WWE World Heavyweight Champion and all-around chickenshit heel Seth Rollins will face a resurgent United States Champion John Cena with both Championships up for grabs.

Stone Cold Steve Austin will unveil the details of the stunning WWE 2k16 video game. The legendary Jushin Thunder Liger will make his long-awaited WWE debut in a contest against The Prince of Pretty, Tyler Breeze.

The Divas Revolution will be televised as Sasha Banks looks to retain the NXT Women’s Championship in a contest with fan favourite Bayley. Members of The Wyatt Family and The Shield will look to add another memorable chapter in their on again, off again gang war. Green Arrow star Stephen Amell will look to settle his feud with Stardust.

Kevin Owens is booked on back-to-back nights. On Saturday, August 22, he will compete in a ladder match for the NXT Championship against reigning champ Finn Balor in a rematch of their July 4 Tokyo classic. The following night at SummerSlam, Owens will enter the squared circle against Swiss strongman Cesaro in what has been labelled as a dream match of two former independent wrestling stars.

And so much more! WWE has sold in excess of forty-five thousand tickets for their Brooklyn shows spanning August 22-24.

See you all soon for my first post, a retrospective of the best and worst of Undertaker’s matches at SummerSlam.